LOST PLANET 2 TORRENT PASSWORD PROTECTED SERIES
The likes of which were only superseded by the Lost TV's series "Two steps forward, one step back" formula for conflict. Moving along, the special effects were fun, though their hackneyed "what's the worst that could happen in a worst-case scenario" recipe became entirely predictable. Even if I have to read the pages of books or listen to the words in an audiobook, at least the characters will be more believable than presenting the story of the Robinsons on the screen of a Director with a penchant for manipulating their audience. I refuse to give you that power over me.Īmateur hour is over-I'll stick to the classics such as Arthur C Clark and Andy Weir. What better way to jerk around an audience's emotions than to take away something that they love, and then give it back to them-if only to demonstrate how much power the author has? God complex, much? No, thank you. Smith was redeemed (predictably) and the robot was back, because, of course. In fact, I lost so much respect for the narrative that I simply watched the last ten minutes of the last episode in the series to see who survived.
I couldn't believe a damn thing after that. The robot's needless death was the last straw, and the show's "reality" just shattered before me. Like a victim of emotional domestic abuse, I left.
LOST PLANET 2 TORRENT PASSWORD PROTECTED TV
Yet so many TV dramas abuse this cheap tactic to groom their audience, that it is utterly deplorable. I think psychologists call it Schadenfreude, and I do not think it makes the world a better place-quite the opposite, actually. It feels dirty and rotten and manipulative. I do not enjoy the contemporary TV strategy of carefully cultivating hatred so much in the audience that I get an emotional orgasm when the subject of my hatred is finally eliminated. I felt like cattle being herded into a slaughter. Every time I heard the "elected" colony character speak, I shuddered in disgust, which drove me further into the corner of the Robinsons. Smith I seethed hatred, which drove me more into the corner of the Robinsons.
It felt as though the show creators were forcing me to like certain characters through sheer force of hatred of the other characters.
Power struggles and superficial drama that were ultimately wrapped up neatly in a bow of episode-by-episode cliffhangers-the perfect recipe for stringing an audience along. It wasn't the death of the robot itself, so much as it was the excessive suspension of disbelief with regard to the characters:Ĭompletely unbelievable and petty. I watched up until the death of the robot in the first season, and really just couldn't stomach continuing this journey. My voice is just a drop in the bucket, but as I have a negative opinion of this series, I'll add some diversity out there in the void.
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